This contemporary ceramic installation artwork is assembled from multiple irregular fragmented porcelain slabs, abandoning regular square and round traditional plaque shapes. The pieces are intentionally shaped to mimic natural broken ceramic edges with undulating free outlines and chipped textured rims, paired with partial three-dimensional curled ceramic sculptural protrusions to build a layered staggered spatial composition with varied heights and depths. The components can be freely rearranged and extended horizontally to form a wide panoramic visual frame. Interwoven three-dimensional curved sculptural blocks and flat painted panels break the two-dimensional limitation of ordinary flat decorative porcelain plaques. It serves as a large-scale wall installation for exhibition halls or horizontal display on cabinet surfaces. The staggered fragmented silhouette carries contemporary deconstructive artistic temperament, matching art galleries, exhibition spaces, minimalist light luxury and avant-garde neo-Chinese interior styles.

The whole installation takes freehand poppy flower clusters as the unified core visual motif, with blooms naturally stretching across staggered fragmented slabs. Dense and sparse flower clusters interweave to form a continuous flowing horizontal frame. A striking contrast is formed between broken incomplete porcelain carriers and fully blooming intact poppies, constructing unique contemporary artistic narration of “perfect flowers carried by fragmented vessels”. Poppies symbolize perpetual vitality and flourishing bloom, carrying soft poetic oriental charm. The fragmented slabs deconstruct the traditional aesthetic of intact, regular porcelain wares, reinterpreting oriental vessel concepts via incomplete beauty. The flowing scattered composition features fluid freehand ink-wash brushwork for underglaze blue flowers, balanced by ample blank white porcelain space. Plain white curled sculptural blocks partition the frame, with restrained elegant monochrome blue-and-white tones. The work integrates traditional freehand underglaze blue floral painting and contemporary deconstructive installation sculpture language, combining the fluid charm of Chinese ink painting and the spatial tension of modern installation art.

Breaking the traditional creative formula of intact flat underglaze blue porcelain plaques, this work integrates multiple crafts including contemporary deconstructive sculpture, three-dimensional clay sculpting and traditional graded underglaze blue painting. It reinterprets underglaze blue floral themes via irregular fragmented slabs, realizing contemporary installation artistic transformation of traditional blue and white painting. Composite forming and firing of fragmented irregular components and curled sculptural blocks carry high risks of blank deformation and cracking. The complete set requires unified glaze tone and consistent floral style across all slabs, leading to extremely low craft tolerance. Every assembled installation features unique unreproducible texture and layout. Moving beyond rigid aesthetics of antique imitation and regular decorative porcelain, the avant-garde fragmented, staggered three-dimensional silhouette fits exhibition demands of modern art galleries and art spaces. It inherits Jingdezhen’s thousand-year underglaze blue ink painting craft heritage while infusing conceptual expression of modern contemporary installation art. It holds integrated value for large-scale exhibition installation display, contemporary experimental ceramic collection and comprehensive sculptural-painting craft research, standing as an avant-garde premium contemporary comprehensive ceramic art installation unifying sculptural quality, painting quality, conceptual expression and decorative appeal.